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How to Make Melodic House Basslines: Deep and Warm

How to make melodic house basslines, deep and warm, in Ableton

In melodic house, if your low end does not work, nothing else matters. This breakdown covers two basslines that actually hit: a deep, groovy bass in the style of Oskar Med K, and a sustained, warm bass in the style of Ben Böhmer.

The Deep and Groovy Bass

A syncopated line that starts on the one, hits the groovy fourth-16th position, then an offbeat. The balance of groovy and offbeat positions is what makes it move.

Key settings:

  • MIDI: a syncopated pattern balancing groovy (2nd and 4th 16ths) and offbeat positions, with the groovy notes dragged slightly late for swing
  • A versatile saw wavetable (ICanHasKick), phase and randomness at 0 for a consistent result; edit the bins in the wavetable editor to shape it
  • Leave ENV 1 as is, use a plucky ENV 2 on the filter
  • Add lows to pull the sub out, then control it on the channel with an EQ and sidechain

Serum ICanHasKick bass oscillator section for a deep groovy melodic house bass

The Sustained and Warm Bass

A warm, sustained bass in the Ben Böhmer style, playing the root of a simple three-chord progression, with a pitch-glide move and plenty of drive.

Key settings:

  • Ableton Wavetable: OSC1 a slightly adjusted saw, a sustained amp with a bit of attack; ENV 2 opens the filter fast then closes with a decay, sitting around 400 Hz
  • ENV 3 to pitch by -33 for that Ben Böhmer pitch glide; a 279 ms glide set to mono to avoid overlaps; a quiet square-ish layer to enrich it
  • Two instances of Erosion, barely audible, for subtle texture
  • Auto Filter on the OSR circuit for a drive knob and crunch, then a pumping sidechain, an EQ rolling off below 30 Hz, and a second Auto Filter with the PRD (Moog ladder) filter for more crunch

Ableton Wavetable warm bass with Erosion and OSR Auto Filter chain

Getting the Bass to Sit

Loudness is a relationship, not a number. The bass should dance with the kick, sitting just below it.

Key settings:

  • Bass just below the kick, never overpowering it: too loud clutters the mix, too quiet feels thin
  • Check on a free analyzer like SPAN, with the kick around -7 dB and the bass below it
  • Match the kick to the key: for a track in C minor, a kick in G (the fifth) sits harmonically

Grab the full course

Want to go deeper on this style? The Melodic House Academy Vol. 2 is a step-by-step pathway with in-depth courses and a complete sound library to take your tracks to the next level.

Watch the full breakdown

See both basslines built in the video:

Reference artists

Artists to reference for this style are:

  • Oskar Med K
  • Ben Böhmer


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